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#about Hi! Welcome to Media Art—Photography at Karlsruhe University of Arts and Design (HfG).  This website displays the online conversation of the area's chat group in realtime. You might want to use the search bar to navigate.

#about Hi! Welcome to Media Art—Photography at Karlsruhe University of Arts and Design (HfG).  This website displays the online conversation of the area's chat group in realtime. You might want to use the search bar to navigate.

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Hi! Welcome to Photography department of the Karlsruhe University of Art and Design (HfG). This website mirrors the online conversation of a chat group in realtime. You might want to use the search bar to navigate.
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gentle reminder, tomorrow room 103 allthatissolid louishenderson assemblyofresources 9h

Karo

Dears, Helin Ulas and I, warmly invite you to our Pre-Diploma Colloquium today at 4 PM in Room 101.🍋 The colloquium is open to all students working on or preparing for their pre-diploma projects – and those in earlier semesters are very welcome too!🥒 It’s a space for discussion, feedback, and exchange. Join us and share your ideas, questions, or just listen in.🥨 Dates: 19.05 & 30.06 Time: 16:00–18:00 Location: Room 101 See u!

All that is Solid, 2014 15’40” in conversation with Louis Henderson Thursday, 22 May 2025, 9:00 Room 103 “All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses his real conditions of life, and his relations with his kind.” — Karl Marx and Friedrich Engels, The Communist Manifesto, 1848 A technographic study of e-recycling and neo-colonial mining filmed in the Agbogbloshie electronic waste ground in Accra and illegal gold mines of Ghana. The video constructs a mise-en-abyme as critique in order to dispel the capitalist myth of the immateriality of new technology — thus revealing the mineral weight with which the Cloud is grounded to its earthly origins. "As technological progress pushes forward in the West, enormous piles of obsolete computers are thrown away and recycled. Pushed out of sight and sent to the coast of West Africa, these computers are thrown into waste grounds such as Agbogbloshie in Accra, Ghana. On ar…

All that is Solid, 2014 15’40” in conversation with Louis Henderson Thursday, 22 May 2025, 9:00 Room 103 “All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses his real conditions of life, and his relations with his kind.” — Karl Marx and Friedrich Engels, The Communist Manifesto, 1848 A technographic study of e-recycling and neo-colonial mining filmed in the Agbogbloshie electronic waste ground in Accra and illegal gold mines of Ghana. The video constructs a mise-en-abyme as critique in order to dispel the capitalist myth of the immateriality of new technology — thus revealing the mineral weight with which the Cloud is grounded to its earthly origins. "As technological progress pushes forward in the West, enormous piles of obsolete computers are thrown away and recycled. Pushed out of sight and sent to the coast of West Africa, these computers are thrown into waste grounds such as Agbogbloshie in Accra, Ghana. On arrival the e-waste is recuperated by young men, who break and burn the plastic casings in order to extract the precious metals contained within. Eventually the metals are sold, melted and reformed into new objects to be sold; it is a strange system of recycling, a kind of reverse neocolonial mining, whereby the African is searching for mineral resources in the materials of Europe. Through showing these heavy processes, the video highlights the importance of dispelling the capitalist myth of the immateriality of new technology to reveal the mineral weight with which the Cloud is grounded to its earthly origins.” — Louis Henderson

Anna-Lina

Dieses Wochenende in Stuttgart in der Staatsgalerie - Eintritt frei! Und auf dem Schlossplatz sind öffentliche (also kostenlose) Filme der ITFS zu sehen ✨

Frameworks of fiction taking place in 103

Tobias

hier der ist der Artikel über den "sauberen" Stahl vor 1945, als Startpunkt für Research: https://www.derstandard.de/story/3000000172431/china-birgt-unverstrahlten-stahl-aus-schiffswracks-aus-dem-zweiten-weltkrieg-briten-empoert

This is happening tonight! Please join for a super interesting blast from the past of media art!

Dukhee

😂😂😂😂

Susanne Kriemann

dear all, the seminar Backbone of Photography starts today at 2pm in room 101...

My apologies for making the request in a public forum - and forgetting about the interface to the world.

Oh shit, i didn’t know either then and am sorry for the misinfo- who set that up?

test 123

Nothing is displayed on a website

any contacts for Blauer Salon?

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Susanne Kriemann

Bára_Kristinsdóttir Ausstellung in der Hasselblad Stiftung in Göteborg... die Bilderreihe „It All Has A Story“ zeigt eine Auswahl sehr schöner Bilder, die die Geschichte der letzten zwei Angestellten einer kleinen Nylon-Fabrik außerhalb Reykjaviks zeigen. #archive #industriefotografie

Susanne Kriemann

Bára_Kristinsdóttir Ausstellung in der Hasselblad Stiftung in Göteborg... die Bilderreihe „It All Has A Story“ zeigt eine Auswahl sehr schöner Bilder, die die Geschichte der letzten zwei Angestellten einer kleinen Nylon-Fabrik außerhalb Reykjaviks zeigen. #archive #industriefotografie

Susanne Kriemann

Bára_Kristinsdóttir Ausstellung in der Hasselblad Stiftung in Göteborg... das Buch „Allt eitthvad sögulegd“ sammelt ein große Anzahl sehr schöner Bilder, die die Geschichte der letzten zwei Angestellten einer kleinen Nylon-Fabrik außerhalb Reykjaviks zeigen. #archive #industriefotografie

Isabelle Konrad

EYE- Filmmuseum Amsterdam 
Adam Broomberg & Oliver Chanarin
Dodo, 2014

Isabelle Konrad

EYE- Filmmuseum Amsterdam 
Adam Broomberg & Oliver Chanarin
Dodo, 2014

Isabelle Konrad

EYE- Filmmuseum Amsterdam 
Omer Fast
Continuity, 2012

Susanne Kriemann

Susanne Kriemann

Ohne Worte: Museums in Singapore, #VintageCameraMuseum

Susanne Kriemann

exhibition #minimalism @ #nationalgallerysingapore hier #TangDaWu Arbeiten ‘Untitled’ ‘These photographs document Tang Da Wu’s study of the changing environment of Singapore upon his return from London in #1979 ... Tang’s work reflects his intimate engagement with his materials, as well as his interest in how human actions and environmental processes leave their mark, especially within nature.’

Susanne Kriemann

exhibition #minimalism @ #nationalgallerysingapore hier #MaryMiss Arbeiten ‘BatteryPark_Landfill’ ‘Mary Miss has been creating striking sculptural and architectural interventions into public space since the #1960 s. ... In her work ‘’Battery Park Landfill’’, Miss uses her materials to highlight something intangible - a column of air. ... The three photographs here show that from a particular angle, the structures appear to be directing a column of air towards the ground.’

Susanne Kriemann

exhibition #minimalism @ #nationalgallerysingapore hier #MaryMiss Arbeiten ‘BatteryPark_Landfill’ ‘Mary Miss has been creating striking sculptural and architectural interventions into public space since the #1960 s. ... In her work ‘’Battery Park Landfill’’, Miss uses her materials to highlight something intangible - a column of air. ... The three photographs here show that from a particular angle, the structures appear to be directing a column of air towards the ground.’

Susanne Kriemann

exhibition #minimalism @ #nationalgallerysingapore hier #TangDaWu Arbeiten ‘Untitled’ ‘These photographs document Tang Da Wu’s study of the changing environment of Singapore upon his return from London in #1979 ... Tang’s work reflects his intimate engagement with his materials, as well as his interest in how human actions and environmental processes leave their mark, especially within nature.’

Susanne Kriemann

artssciencemuseum_singapore #exhibition ‘future worlds” am 17.03.2018 Der Raum wurde von teamlab in Anlehnung an Naturzyklen programmiert, es läuft seichte Klassik, und alles, was die Besucher machen, sind #selfies und #snapshots von sich und ihren Freunden!

Isabelle Konrad

Isabelle Konrad

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